under half-seen branches

[aamcnamara]

214 / 350

Writing goes way more easily if you force your characters to choose between two bad options.

Things that go in my rough-draft notes file, #413: witty things about current happenings that a) would make no sense without context and/or b) are spoilers. (And/or c) would only make sense or be amusing to... um, a couple of people, most likely, even with context and spoilers.)

(Current status on fail in my novel: I'll be mindful of it going forward, see what ends up happening in the plot now that it's in my head, and if it still ends up fail-y I will try to work it out in revisions.)